Fact 5: There Are Tons Of Different Keratin Treatments For Different Hair Types It's not one-size-fits-all. In fact, you don't want a salon that only offers a single keratin treatment, because it's probably not the best one for your texture and thickness. “If you use the same formula on fine hair that you do on thick, it'll just be flat and stick to your scalp!” Pena explains. And on the flip side, if the formula's not strong enough, it'll be like you just spent $400 on...absolutely nothing.Fact 5: There Are Tons Of Different Keratin Treatments For Different Hair Types
Fact 6: Keratin Works On Straight Hair, Too Got coarse, thick, frizzy hair that's straight? Keratin could be your new favorite thing. A light treatment can make it shinier and smoother, so you only have bed head if you actually want it.Fact 6: Keratin Works On Straight Hair, Too
Fact 7: Keratin Straighteners Aren't Relaxers Unlike keratin, relaxers are permanent. They change your texture, so you have to want stick-straight hair forever—or at least until your roots need touching up. They're also easier to do at home, whereas keratin treatments are usually in salons.Fact 7: Keratin Straighteners Aren't Relaxers
Fact 8: Keratin Straightening Isn't (Or At Least Shouldn't Be) A Super-Intensive Process A stylist combs a bunch of it into your strands, leaves it on 'til your follicles are good and coated, then flat irons your hair to seal it in. Older formulas require you not to wash or style your hair for 72 hours, which is why you should find a place that uses newer no-wait straighteners if you can.Fact 8: Keratin Straightening Isn't (Or At Least Shouldn't Be) A Super-Intensive Process
Fact 9: You Can, In Fact, Use Keratin Treatments On Dyed Or Bleached Hair They can actually make bleached hair feel healthier. The same doesn't hold true for other straighteners, though. “If your hair's dyed, stay away from flat irons, relaxers, or Japanese straightening!” Pena warns.Fact 9: You Can, In Fact, Use Keratin Treatments On Dyed Or Bleached Hair
Fact 10: Maintenance Is The Key To Keratin Success If you want your fancy new shininess to last, you might have to drop your regular shampoo and stop washing so much altogether. You can shampoo three times a week max, but there better not be actual suds involved. “Stay away from cleansers that bubble!” Pena advises. “If your shampoo has a detergent ingredient like Sodium Laureth Sulfate (SLS), which is literally found in laundry soap, it'll just strip your hair!” (Good sulfate-free lines: Pureology Essential Repair and Living Proof No Frizz Shampoo and Conditioner .) Also no good? Salt water and chlorine. So surf spray's not an option, and make sure to coat your hair with a protective cream or oil before you make any literal waves.
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The 10th International Conference on Formal Ontology in Information Systems
Workshop/tutorial Proposal Submission: 2 March 20182 March 2018
Paper Submission Deadline: 13 April 201813 April 2018
Notification: 30 May 201830 May 2018
Camera-ready papers: 24 June 201824 June 2018
Conference: 17 – 21 September, 201817 – 21 September, 2018
Organized by The International Association for Ontology and its Applications
The 10th International Conference on Formal Ontology in Information Systems, FOIS 2018 , will be held in Cape Town, South Africa, 17-21 September 2018, following the 4th Interdisciplinary School on Applied Ontology, ISAO 2018 that will take place between 10-14 September 2018.ISAO 2018
Definition and Scope
The advent of complex information systems which rely on robust, coherent and formal representations of their subject matter, led in the last 25 years to the exploitation of ontological analysis and ontology-based representation. The systematic study of such representations, their axiomatics, their corresponding reasoning techniques and their relations to cognition and reality, are at the center of the modern discipline of formal ontology.
Formal ontology is now a research focus in such diverse domains as conceptual modeling, database design, knowledge engineering, software engineering, organizational modeling, artificial intelligence, robotics, computational linguistics, the life sciences, bioinformatics, geographic information science, information retrieval, and the Semantic Web. Researchers in all these areas increasingly recognize the need for serious engagement with ontology, understood as a general theory of the types of entities and relations making up their respective domains of enquiry, to provide a solid foundation for their work.
The FOIS conference is a meeting point for researchers from all disciplines with an interest in formal ontology. The conference encourages submission of new and high quality articles on both theoretical issues and concrete applications. As in previous years, FOIS 2018 is intended as a nexus of interdisciplinary research and communication.
FOIS is the flagship conference of the International Association for Ontology and its Applications (IAOA, website: http://iaoa.org/ ), which is a non-profit organization aiming to promote interdisciplinary research and international collaboration at the intersection of philosophical ontology, linguistics, logic, cognitive science, and computer science, as well as in the applications of ontological analysis to conceptual modeling, knowledge engineering, knowledge management, information-systems development, library and information science, scientific research, and semantic technologies in general.
Across Louisiana, a younger set picks up the thread
by Lorin Gaudin
November 22, 2017
At shops like Needle Arts, in Mid-City New Orleans, needlepoint appeals to a new demographic.
It started with Biggie Smalls. On my Instagram feed, amid restaurant specials and pouting babies, I spied a work-in-progress needlepoint canvas portrait of the deceased rapper. Curiosity led me from Biggie to a website called tessandthorn.com (now
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), where the inventory of canvases featured hand-painted designs of Chanel fragrance bottles or bright rectangles containing snappy phrases like “You have as many hours in the day as Beyoncé” and “No Bad Vibes.” There were other portraits too: Audrey Hepburn, Prince, and interior design icon, Iris Apfel. Digging deep down the Internet rabbit-hole, it became clear to this self-professed needle arts geek that needlework, specifically needlepoint, is currently captivating another generation, many of whom have been taught to sew by their grandmothers. And across Louisiana, shops dedicated to needlepoint and other forms of embroidery now cater to all ages and don’t skimp on the local flair.
For enthusiasts and novices alike, there’s The Elegant Needle in Baton Rouge’s increasingly artsy Mid City neighborhood; in Broussard, Stitch and Frame of Acadiana; and up in Shreveport, Hanging by a Thread. In New Orleans, thread hunters frequent The Quarter Stitch (French Quarter), Needlework Vault (Lower Garden District), and Needle Arts (Mid-City). At The Quarter Stitch, owner Michelle “Chelle” Wabrek works with local artists Dr. Bob, Simon, and Alex Beard (to name a few), transferring their beloved and popular art onto needlepoint canvas. Re-prints of folkart works by Clementine Hunter and modern, whimsical, and even humorous animal portraits from Louisiana and Southern regional designers can be purchased with or without wool thread. (Though they stock a limited amount of embroidery fibers, The Quarter Stitch’s go-to is wool, for a more traditional stitching experience. Wabrek is fairly emphatic about keeping it simple with yarn and stitch.)
Wabrek and her staff are generous with information, friendly, and helpful in choosing colors, canvases and offering guidance. Of the resurgence of needlepoint, one staffer said, “A lot of people are coming back to needlepoint because there are new, more modern canvases that pull them in. Most who walk in learned from their grandmother and have the basic skills, needing only a refresher. Needlepoint is generational, and it seems to skip a generation. Why? I don’t know. Every now and then we’ll get someone who is a first-timer. They’re rare, though, but get pulled in by the artsy-fun canvases and wanting to do something with their hands that they can share with their children or grandchildren.”